I’ve been working so hard on upping my silversmithing skills, and working to make pieces that incorporate both silver and glass of late. It’s a lot of work and hard and frustrating but also fun and exciting.
Each piece takes me a lot longer, however, and I have a jewelry trunk show coming up in a couple weeks. It is at Art on Broadway, where I had a solo show in November. With the holiday orders for gifts, and other distractions, making a full body of work in silver wasn’t going to happen, so I instead am focusing for this show on what I love to do best in glass: little worlds.
Instead of abstract ones, these beads have little ocean elements in them: starfish, barnacles, seaweed, water and swirling bubbles and sand.
They still take time but I can produce them faster then a single dramatic focal silver necklace with a bezel set large glass cab. So I have spent more time in the glass studio the past couple weeks, and it’s cold out there! Glass work is so much more pleasant in the spring and fall, vs. winter and summer. But, work must be done in all seasons, so I have been getting the small heater I have out there turned on early, or I make straws early and let the larger kiln I call Big Mama heat the room better for me.
I asked followers on FB if they liked encased beads or beads with three dimensional elements sticking off it better, and most went for the former option. Encasement acts as a magnifier and makes the glass inside a tad larger-looking. Plus, all that luscious clear just makes things sparkle.
Both were enjoyed, but B was the winner. I will make both for the trunk show, but I was curious, and always am, in what people see in my work, in the glass. Literally and in terms of feelings or memories that are kindled or rekindled when looking at glass.
I have been making encased beads this week. It’s been a joy to spend so much time with glass again.